inside with copper melt trailing
This last firing did some really crazy stuff friends and muddy handed pottery lovers. The longer firing cycle I have been using, the one the focuses on an extended down fire after the peak temperature has been reached, did some really unexpected things to some of my glazes this time. When I first went to open the kiln last week I was expecting to see a lot of reds and patina bronze blues. Instead I was greeted by deep milky whites with trails of turquoise, purple and silver amidst the off earthy yellow of the clay body I have been using. At first I was mortified. The results were far from what I wanted. The active coloring agent in my new glazes is some type of copper oxide and The results from my longer and higher heat exposure look very similar to my playings with melting copper wire to my sculptures in the kiln.
Despite my initial disappointment in my work, no father can stay away from his children for too long, and after some extended time studying I am actually very happy with the new colors I have managed to create. After all, isn't have the fun of ceramics the element of mystery the kiss of flames and heat bring to the table. That kid on Christmas morning feeling when you go to open up the kiln for the first time. It's the best!
More new photos will follow. I've been focusing on vase forms in the studio this week! I hope to upload some shots of them on Friday. Thanks for reading!