Toys, Important dates, and lots of Plates

 It's been busy BUSY weeks since I last posted here. The summer sun seems to have come and finally burned off the residual moisture of last weeks tail end to the rainy season. As seems par for the course the rainy season saw my dear mellon and cucumber plants consumed by white powdery mold, but my cherry tomatoes seem to be doing ok and my greens carry on as though there were nothing wrong in the least.  I've grown esspecially fond of my fish pot with two big gold fish, and a medly of water plants to keep it well oxygenated. They greet me every time I go out onto my balcony.

All too soon I'll be venturing home to visit the family in West Virginia for the first time in two years at the end of this month. I'm excited beyond beleif to see them. So, with packing added to the already impressive list of things to do I have been releived that I still managed to make time to create my pots. I've been testing out some new (absolutely astonishingly great) tools. We loaded two kilns full of my work and some student works and fired them up. The first firing came out very well for the most part, but unfortnately the second firing seems ot have unintentionaly gone too hot. This caused the glazes to become more muted than I was going for. All of this push for work is because I have some wonderful news! In early-mid September I'll be having my first solo exhibition. More details to come, along with fun promotional goodness, but I just wanted to relay the good news with this weeks up date. KIeep creating!

Great new toys from Mudtools. Thanks Mom and Dad these work wonderfuly.
I am esspecially fond of the rubber ribs and the new clay cutter.



I've really been focusing a lot on cup and saucer designs.
These were from the most recent long cool down firing.

I'm still trying to dial in the right mix of glazes and temperature change to result in the most
atmosphiric looking results. I don't quite have it yet, but I'm always after those
Bizen and Shigaraki colors. I am quite happy with these though.

Fired, Blues, and News

About two weeks ago I opened up the kiln of an incredibly rainy Monday. The weather was terrible, and I had the day off from school to dedicate time to cleaning my house and relaxation. What I saw with this firing was really quite surprising. many more muted colors than I am used to, and lots and lots of drips. Now I7m really quite partial to runny yellow glazes, and that metalic blue that fades to slighly crystalized copper burns when exposed to my long back fire firing cycle makes for some pots with a lot of character, but this time the glazes left me feeling like they were a bit . . . rushed.

I'm very happy with this tea bowl.

 

I love the forms, but I really want the glaze to uniformly fade. Granted the kilns "kiss" and treatment of each individual pot is part of what makes pottery so endlessly entertaining.

I'm not the happiest with these two mugs.

Love this carved mug.  

I am still working on coffee mugs and demitause cups. I am amassing so many peices that I really need to do a bisque firing, but the communication barrier at school with my new ceramics instructor, Yamatogi Sensei, hasn't been 100% broken down as of yet. There are some deadlines for compititions at the end of this month that I would really like to apply to. . . so , we'll just have to do some sweet talking and creative gesturing convince him otherwize.

I wrote a few posts ago about my trip to Bizen and how I was equaly in awe and more than a little jealous of all the clay culture that surrounded me while I was there. Sometimes I think young artists, or just young people in general get a restlessness that builds within them. It's the desire to have the life you know you want. I often think that I want a life in pottery. I'm not sure where or how that happenes but 9 out of 10 days I want it more than just about anything I can dream of. So, when I see an artist with a studio in ceramics monthly it's hard to not think, "man they have it all!". The truth is that they are working, and have been working - along their own paths - for YEARS to get to that article. It's the same in any job, for any twenty something. We're hungry for our dreams to come to a point where we feel we're living them not living for the hope of dreaming them. All of that to say that I just got the June Ceramics Monthly and its pages are a wash with artists and pots that make me hungerier than and more excited than a 5 year old at an all you can eat cake and icecream buffet, but I opened it up to a quote on the very subject I've been ranting on by a Potrland, Oregon potter named Brian R. Jones:

"My advice to others interested in a career in pottery: You have to dig your well deep. invest in youself and others will invest in you. Things happen when they happen and that's not something you have control over. Don't get too concerned or resentful with someone else's success. They are not being successful at you. It's just their time. Use your energy to make better work."

So it's off to make better work I go!

Drive and publicity!

Working towards goals is one of the most self empowering things you can do in your day to day life. Be they goals in fitness, education, ceramics, painting, music or competative TV staring (well maybe not so much the later) striving to better yourself is a HUGE opportinity for generating happiness. 

For my first year and a half here my work was almost 90% spontanious. I might sit down to the wheel and say, "I'm going to make a bowl", and sure enough a bowl of some type would be the result. I don't see any problem with this, however recently I have been focusing much more on creating with a designed purpose. Sketching out pots, looking through Ceramics Monthly for inspirational forms constantly, and in general being more demanding of my own creative process. The result of this is an ever growing collection of work ready to be bisqued, and the need to set goals.



Greenware ready and waiting for the bisque.



Living here in Japan I feel fairly disconnected from the pottery communities I spend most of my days reading about, and the language barrier between Japan's pottery community and myself is quite large (this is mostly my own fault for choosing gardening and pottery over studying all the time). That all being said, I've recently really been focused on finding international art competitions and calls for entry to work towards. I like having a challenge or a goal to push for, and the addition of a deadline really helps to accelerate my drive sense of purpose while in the studio. The show I'm currently working at applications for is a call for demitasse and saucer designs. So I'm expiramenting.



If you like art of all sorts, and would like to see a fantastic digital collection of up and comming artists check out artascent.com. Art Ascent is a great sight. Their goal is to create themed competitions for international artists to have a chance to share their work with a wider community. If you are an up and comming artist I can't recommend them enough. They put out a lot of different calls for work and their themes are ussually really interesting. My work is up on their web site, and later I will be featured in a paper publication as well. Can't wait to see a hard copy of that. The other featured artists are really great and totally worth checking out as well.

I think that's about all the news from the studio this week. Be on the lookout in the near future for more news, and hopefully a firing soon!

Go create something! Stop thinking about it and do it!

"For the wheel's still in spin"

 

After almost 3 years of daily visits for coffee and tomfoolery, working to improve one another's teaching skills beyond the confounding barrier of two languages, getting muddy on days when there were no classes, and endless giving and kindness Tabe Sensei is now working for Susaki Technical High School and Kubokawa High School. They can't know how lucky their students are.  We spent our final day, which was appropriately gray and melancholy, of working together laughing about old times, and going on a lovely lunch excursion to a surprisingly fantastic Italian place near my school. Pasta, a surprisingly crusty (in the good way) peice of home made bread, and the ploting of ways to stay in contact despite now different schools. It was a bitter sweet day of fond farewells.

Thank you, thank you, thank you! For your greatness!

It's a sunny spring day today with enough a chill in the air that a light sweater is still appriciated, but hardly necessary. The sakura infront of the craft room are at their peak, and though quite (with a gaping Tabe Sensei shaped hole) the studio is still a lovely place to do work. I've been filling the silence with Mr. Dylan's songs. It seemed all to fitting to use a line from one of his songs for this post's tittle.

 The new craft instructor invited me down to the studio two days ago to watch me do some work. Yamatogi Sensei was a year ahead of Tabe Sensei in university and specializes in making wooden art objects. My initial impressions are dominated by his neatness, big smiles, and relative lack of English. After watching me work for a day he said that I should feel free to use the studio as I liked. His exact words translated to, "use the same as you did". This is hesitantly great news, and most of this week I've been in and out of the studio creating new pots. I recently watched a small documentary that focused on the pottery community in Minnesota. Sharing the Fire, is great if you are interested in seeing a vibrant potter's community, and many different journeys that all led to careers in ceramics. Check it out!

 

Somewhere within all of these farewells and new works I managed to have some really great visitors from the USA stop bye. Meet the Strubles!

They came for a visit with Steph, and walked away with a family of three tea cups that have been looking for the perfect home. The visit with Steph's family was a hoot! They're a barrel of laughs and we surfed, beach walked, ate well, and generally shared good times. Can hardly wait to see them again. Hopefully they'll think Kochi whenever they enjoy a cup of tea.

I'm off to trim some of my new work, and possible throw some more vase forms (I am really enjoying bottles and vases these days. They take to texturing really well). Have a happy weekend!

Trips and Travels

 Happy new year dear readers! Above are a sampling of works that came out of the kiln before the Christmas Holidays came knocking at my door step. The blue and green cup pictured above are actually not my work. These fine yunomi were created by a friend, Mark, who asked for
my assistance with a gift for his fiance. The three cups show in the bottom left now dwell in
the Gray family home, where I hope they are used every day!

I've been been bad to you. Neglectful even! In part my absence of postings has been because of a two week travel explosion to Vietnam where I traveled by plane, taxi, bus, van, big boat, little boat, train, and my own two feet to Hanoi, Sapa, Ha Long Bay, Ho Chi Minh, and The Mekong Delta. It was a holiday season to be remembered by its vast difference from any other experience I've had. Vietnam was an almost completely sensory experience (at times borderline overload). The colors, smells, sights,
and taste were all challenging, vivid, and mostly delectable. I even managed to squeeze in a small traditional pottery exhibit while I was traveling, but I can't say the small selection I saw really sparked
my fancy.

The year to come will be full of many great and grand adventures, and I have so many hopes for the growth of my work. Because my life seems to be a bit busier than before, and because I don't want to promise more than I can deliver I am going to shift from promising two posts every week to one post for now. If the new year proves to be less busy than the tail end of 2012 then I'll return to two a week, but for now we'll go for one more meaningful post.

I hope you all had a wonderful holiday season! Go out and create something in the new year. Can't wait to get back in the studio!

2/2 Make!

Well now that you know of two weeks ago's happenings, it's time for a recap of last week. So last week was midterm at Susaki High School. This meant that my time was largely dedicated to studio time. However, with the kiln on the fritz I didn't feel hugely motivated to just create, create, create. I spent a huge chunk of my week cycling through the happy step bye step of scoop from reclaim bucket, dry on plaster bricks, wait, wedge, bag, and repeat. So help me, that bucket is empty! Although, today's pottery class began the battle anew with their bowls of slip.

Tuesday was a really productive day of wheel work. I worked specifically towards honing in on a bowl shape I am rather fond of after warming up with some yunomi and smaller coffee bowls. It was one of those rare days where centering came easily, and the clay and my hands just seemed to be on the same wavelength.

Also in the good news bracket since my post this morning I have just been informed in a friendly little message that the kiln was fixed today, and the pots are firing as I type these happy words. I trimmed the pots pictured above after school, and prepped the last of the reclaim clay for the students use throughout the week. We'll be onto a glazing cycle by the end of this week, and that means the best part is only a few weeks away! Nothing's better than opening up a fresh glaze firing, and, preferably, cradling the still slightly warm pots in your hands for the first time as finished works. I love it! Here's to hoping we're back to our regularly planned life hence forth eh! Come back on Thursday for more updates. Have a great week!

All tests and no clay . . .

makes me a busy busy, and admittedly slightly grumpy, Bear. School's jumped to warp 11 until Wednesday next week when the semester ends. Here's some more work from the recent firing. See youMonday!

Spots, dots, and new color bliss.

This one's bound for California to improve a dear friend's sake consumptions. 

The kiln gods were good to me this firing! Two sake sets and some twin cups many more photos to unveil slowly. This week is really full on with finals and test writing so Thursday may not happen. . . we can only see what the week actually puts before me. Enjoy the photos and your weeks!

Mapping unknown paths

New work ready to be loaded and fired this weekend.  

Monday came and went in a flurry of meetings for orientations, planing of vacations, and extra review sessions with my best students for finals. Along with surprising business of this week (and the lack of my promised Monday postings)  I managed to squeeze about 7 pots in with last weekend's firing of student work. Since the fantastic results from my first experiment in firing cycles the school has also been using the longer down fire process. However, this firing didn't produce quite the same results.

The colors are still pleasantly deeper, but the yellow ran and pooled in very different ways that I can't say I'm particularly crazy about. The wine goblets were fun to make, and have close to the feel I was going for, but they lack the controlled blending and transitions from one glaze to the next that I was really going for. Even though these forms turned out as a fun trial of the new firing cycle the coffee bowls I made turned out quite nice and got more of the layering and blending I was after.

I could ramble on out this week's muddy dreams of futures (much like last weeks post), wow you with hypotheticals that keep me tossing at night (and unfocused in the office), or I could just say that I'm really excited for the opening of the kiln on Monday. Live for the present right! I'm also excited for an August trip to Tokyo because there will be a fantastic looking exhibit focusing on the great one, Bernard Leach. You can bet your trimming tools I'll be going to that.

Have a great weekend!

Form for function?

Walked into the studio today to find several of these posters.
 Lovely little thank you's from the students for the tools and glazes I donated. 

Happy Monday everyone. Loaded up the kiln today with all the bone dry work I have. Lots of coffee mugs, wine goblets, some sake flasks, a few ochoko, and two tea pots. 

Just wanted to take a moment to highlight a laughable little miscalculation in my first take on a tea pot here. I pulled the body of the pot to be a taller form, always with the intention of placing the spout lower on the body bell flare of the pot. I thought it would make some really nice lines, and I am happy with the overall (although still a bit clunky to my eyes) shape of it. BUT, after drying and further examination I've come to the realization that due of the placement of the spout this teapot can never be filled to capacity. WWWWWHHOOOPSS! Having the spout so love means that water is just going to go right out of it as one attempts to fill it. So. . . lesson learned. Perhaps once it is fired I will be proven wrong, but I find that doubtful. The second tea pot is much more functional and successful.

Here's hoping all goes well with the firing. See you all on Thursday.

P is for . . . . .

Production! It's been a busy week in the studio. My Oral Communication classes don't have midterm tests, and my fellow teachers don't accept much help even when offered. I finished my lesson plans early in the week, BUT that meant studio time! 

On Monday I wedged about 10kg of reclaim clay (after sifting out chunks of eraser and sponge). It's gritty and I'm not fond of the color it bisque fires to, but I am fond of practicing as much as possible when my typically busy course load lightens up for a week. 

As you can see, I've been focusing on coffee mugs. More accurately on pulling handles. . . Now, I'm not sure you all remember, but handles are my greatest nemesis in the potter's skill set(aside from all those thousands of things I've never tried, but they're unknown quantities at this moment). I really focused on making comfortable handles that don't look like satellite ears sprouting forth from the sides of my carefully shaped pots. All too often with my pots the handles come off as an afterthought.
After my week of practice (Tuesday was a really frustrating day) I'm closer. Still far, FAR away, but I feel much closer to being more in control and able to translate my vision into a functional (somewhat visibly appealing, I hope) handle.

I also got a lot of requests for goblets back when I showed all my work at Hata Fest. So, the last bit of the reclaim clay went into a series of 6 bigger handless cups. These were really fun to make. In general this week has been great because I've been able to set clear goals each day, and work towards building muscle memory, and measurable results of practice (excluding Tuesday's misgivings). I can only imagine what leaps and bounds devoting all one's time to a trade or skill would reveal. What skills would you like to spend every day working to achieve a mastery of? 

I learn new things with every rotation of that wonderful wheel. 

Have a great weekend. 

Red, black and yellow

One the best examples of the new firing's colors

from an older firing

ochoko 

 All of these are pieces from the last firing that went out into the wide word
post Hata Fest. (I still smile when I think about the turnout that event brought.)

This week is midterms at Susaki High, which means no classes for this guy. Unfortunately I am basically out of workable clay at the moment. This means at least two days of drying, mixing, and wedging reclaim bucket clay. I just got the order confirmation of new glazes and my 30kg of clay, so I won't be using my clay body of choice this week, but I hope to spend some hours working on coffee mugs. Photos will follow as usual on Thursday.

Have a great week folks.