Updates and Spates

Every monthish, maybe month and a half, I am fortunate enough to get a package containing one or two new Ceramics Monthly. I could write about how charged up they get me to learn more and try new things in the studio, but I wanted to share a very well stated description of an artist named David Hicks. The reason I'd like to highlight him is for his description of his creation process.

"I tend to work in short encounters with my wall compositions. These encounters are broken up into multiple focuses. For example I initially begin by producing five or so objects that will set the tone for a piece. Once that has been established, I work to make pieces that relate to or respond to those initial model objects. This process is usually a fast-paced process that is heavy handed and quick so I can keep my direction. I have a tendency to drift with objects in an evolutionary way. Works keep evolving and changing, and I keep it quick so I don't stray too far. Honestly this pace also keeps my interest fresh and focused." 

Hicks continues on, describing how he chooses objects and hanging methods for his seedpod inspired wall clusters which have such a fluidity and organic sense I can hardly stand it. The repetition of form, but not exact form or glaze pulls my eye in in a way that many other works of similar theory (collections of many smaller ceramic pieces grouped together) tend to loose my interest. 

If you're in need of some beautiful sculptures to look at or perhaps a great short article (this isn't the one from the Ceramics Monthly but it'll give you a little more of an idea) Check it out! It's what's inspiring me this week. 

I'm trying to really crank out work for a bisque fire this Thursday. I have been working on a few larger forms, and am still cranking on the slab plates. Any way! If you're a reader tell me about your creative process. I think the biggest reason David Hick's work  speak to me is because of the episodic quality to the collection of work featured. They have a real sense of exploration within a given time to me. I've worked for three (going on four) years in a borrowed studio space here at Susaki high school, and I think I may have to use his words to express how my creative process has worked here. Each day, perhaps week at best, is an episode of my imagination. I can rarely build up any type of concrete process or method, so my work comes in spates. My goal for this most recent outcropping was to create forms in sets. except for this beauty below. 

 

Until next time. Go create something!